HCCC: La Frontera
The Houston Center for Contemporary Craft is not on as many people’s radars as I think it should be. For years, they have produced thoughtful, insightful exhibitions that use “craft” objects to tell stories. This isn’t basket weaving, folks! Don’t dismiss HCCC now that you know of it.
This exhibit, titled “La Frontera” (“The Borderlands”) deals with the topic of international borders using contemporary jewelry. Yes, pause on that one. I think jewelry can symbolize the border between the emotional makeup and visual appearance of the wearer. In this way, La Frontera is an amazingly innovative exhibit.
It first opened in June, 2013 in Mexico City with work chosen by the founders of Velvet da Vinci Gallery in San Francisco and an artist in Mexico City.
Unfortunately, the work isn’t for sale through HCCC so I can just encourage you to go see it as a thought-provoking show.
Lots of kinds of research study have shown that picking proper supplement can help in generic viagra uk improving your cognitive power and can enjoy themselves during sex. He showed me how to hold the cue, cradled gently in cheapest professional viagra my right hand, and how to make the basic bridges with my left hand. This is done by taking an artery from an abdominal muscle to a penile artery in order to make a path to the penis which will bypass the area where the blockage that is inhibiting blood flow to the penis is situated. cialis prescription The nourishing fat content of the acai berry can help prevent problems viagra cialis india of aging.
The title wall piece was done by Daniel Anguilu.
All photos by Matt Adams.
-
-
Installation view.
-
-
Installation view
-
-
Ramon Puig Cuyås (Spain), “Silent Conversations Beside the Wall I”, nickel silver
-
-
Ramon Puig Cuyås (Spain), “Silent Conversations Beside the Wall II”, nickel silver
-
-
Auturo Borrego (Mexico), “Ribbons Brooch No. 2.1″ and Ribbons Brooch No. 1”, brass, ebony, silver, resin, laquer, stainless steel
-
-
Brigid O’Hanrahan (USA), “Open”, “Closed” and “Passing Through”, silver gold, stone, wood
-
-
Christine Forni (USA), “Passage 1”, white gold on wood, stainless steel rivets, aluminum, plywood
-
-
Alja Neuner (Austria), “Different From Myself”, sterling silver, wood
-
-
Pierce Healy (Ireland)”, “El Zorro (The Fox)”, sterling silver, wood, cork, leather
-
-
Pierce Healy (Ireland)”, “El Zorro (The Fox)”, sterling silver, wood, cork, leather
-
-
Tammy Young Eun Kim (Korea), “Restrain”, Hanji paper, steel, brass
-
-
Chiara Scarpitti, “Runner”, silk, silver, steel, plexiglass
-
-
Chiara Scarpitti (Italy), “Doors”, silk, silver, steel, plexiglass
-
-
Agnes Seebass (Germany), “Dreams Also Die”, silver gold leaf, steel cable
-
-
Demitra Thomloudis (USA), “Reconstructed: Grid” and “Reconstructed: Framed”, cement, sterling silver, resin, steel, pigment, thread, duct tape, powder coat
-
-
Judy McCaig (Scotland), “No-Man’s Land” and “Passage to the North”, steel, silver, tombac, perspex, paint, Herkimer diamond crystal, taramita, citrine, rock crystal
-
-
Elisa Gulminelli (Argentina), “Fronteras Dolorosas II”, colored paper, tacks, nickel silver, sterling silver
-
-
Nancy Moyer (USA), “Matamoros, December 20, 2009”, sterling silver, digital prints, glaze, steel pins, rubber cord
-
-
Nicolas Estrada (Columbia), “Suffering” and “Defenceeless”, sterling silver, quartz, wood, iron, agate, bone
-
-
Poleta Rodete (Mexico), “Un Gozne entre Dos” and “Memoria”, forest green marble, oxidized steel
-
Like this:
Like Loading...